By Graham K. Rogers

The announcement from Apple that Aperture was to cease being developed and subsequently be withdrawn, left a number of Pro users dismayed, frustrated and angry. Photos is unlikely to become a proper replacement for the DMA and editing features found in Aperture and the flippant way Cupertino suggested their Pro user base could simply move to Adobe's Lightroom was not well-received. I started looking for alternatives to Aperture.

Introduction

I found three applications that, from their online descriptions, I thought might work as replacements: the Open Source, Darktable, Nikon's Capture NX-D; and AfterShot Pro from Corel. Each had certain strengths, but none was a match for Aperture and what I like about its editing tools, leaving aside the poor digital assets management (DAM). I followed up suggestions and looked at Perfect Browse (and Perfect Suite), but again the software examined did not have the attributes that I was after.

Then I almost hit gold with another suggestion of Photo Supreme from ID Imager. This was the first application of those I looked at that could handle the Aperture libraries. It was also quite capable of importing the contents of a camera (SD) card to a location nominated by a user. It fell down a little with project organisation, but I had not learned all its ins and outs. The number of ways in which search was possible made up for this to an extent.

Outside Comment

Another comment suggested that those who want to stick with Aperture are stubborn holdouts and wondered why I did not consider Lightroom. Perhaps reading Part 1 (linked at the bottom of every page) would have answered that. Stubborn perhaps, but after a few years working with such an application, there is an understandable reluctance to move away from something that works for some users. I am not alone in this and others commented on how some users have a lot invested in Aperture (my six libraries for example). What also comes through is the annoyance and distrust some feel from Apple's actions.

Another suggested that some of the comments convinced him to have "Another run at Lightroom". That would be his 3rd or 4th. And this illustrates the great reluctance some feel, not simply moving to another app, but (particularly in my case) linking to Adobe: a company that all but dropped Apple support a few years back and only produced Lightroom after Aperture appeared. My distaste begins with the website and stays with me.

One made the assertion that all the Pro users he knew, used Lightroom or Capture One Pro 8. If I am trying to avoid Lightroom, which a local user referred to as "the elephant in the room", then I really should try Capture One. This has an interesting Apple connection as Phase One cameras (they make cameras too) are the ones used by Peter Belanger: "the man behind some of Apple's most iconic product images" (Michael Shane, The Verge). He also uses (or used) Aperture for his "Canon Raw conversion and to archive camera files" and Capture One.

Capture One Pro 8

Capture One opens as a panel with Imported items to the left and a large Import icon in the centre, alongside a "play video" icon. There were several editing icons at the top, but I would not need these just yet. At the extreme left (top) was an Import arrow.

Although that opened a Finder menu which revealed an Aperture library, that was greyed out, as were the other Aperture libraries on the external disk I was hoping to use. That Import arrow had also provided an additional panel to assist the import process, but this was no help with what I was trying to do.

However, I had noticed an "Import Catalog" item in the File menu which showed options: Capture One, Lightroom, Aperture and Media Pro catalogs were listed. When I selected the Aperture option, an information panel told me what would (or would not) be imported.

This time the Aperture library on the computer was shown, and so were those on that external disk (iPhoto libraries were greyed out). I selected one (52.63 GB) and pressed the Open button. This cataloguing had taken a considerable time with Photo Supreme, but a panel showed that some 3030 images were to be imported and a time readout showed me it would take 4 minutes.

As these images were being imported, so the display at the left changed with the library being added. When the process was complete, a panel appeared to tell me that 3001 files had been imported with 28 found to be incompatible. Among the files brought in, I found PNG, JPG and TIFF as well as the Nikon NEF files.

Working with Images

I selected a project and saw that thumbnail images could be displayed in three ways at the bottom of the screen: all, mini-thumbnails with some metadata alongside, or as a strip. Selecting a thumbnail displayed the full image in the main section of the panel. With All, or the mini-thumbnails displayed, the main screen could be moved up (or down) so that more of an album contents could be seen, aiding selection.

When I pressed the green, full screen button, all of the thumbnails and other data were moved off the screen and only the currently selected image was shown. Putting the cursor at the bottom of the screen, showed thumbnails (like Show and Hide for the Dock). Moving the cursor to an arrow on the left showed the currently selected panel, whether it be Catalog, Filters or Metadata.

An "i" icon at the top of the screen towards the left, gave me access to a really good display of metadata: ordered slightly differently to how it had been in Aperture, but that is of no consequence. A rich selection of other tools available were grouped as (right to left):

• Local adjustments, white balance, exposure, high dynamic range, sharpening, clarity, noise reduction, film grain, moire, color editor and purple fringing;

• Navigator, loupe, focus, sharpening, noise reduction, film grain, moire and spot remover;

• Crop, rotation & flip, Keystone and overlay;

• Lens correction, lens, purple fringing, LCC (lens cast correction) and vignetting;

• Histogram, exposure, high dynamic range, clarity, levels and curve;

• Base characteristic, white balance, color balance, black & white (red, yellow, green, cyan, blue and magenta sliders) and color editor;

• Camera capture tools;

• File catalog.

That some of the tools appeared in more than one location was more a question of relationships than duplication. As far as I could see, any effect could be undone with the standard Command + Z.

Icons for some of the more frequently used tools, including crop, rotate and white balance, were shown in a small panel, dead centre, above the image being edited and would also appear when the cursor was moved towards the top of the screen in full screen mode. Just below these (when not in full screen) a display of color levels (RGB) was available. This changed as the cursor was moved over an image.

More Discoveries

I inserted the card into the Mac mini just to see how the software reacted. Apart from an automatic Aperture start, Capture One showed me that separate Import panel with all available images. I was able to choose a folder for the files and as this was the first time, set that location as the Import folder. I also had options to eject the card and erase all images. For now, I just used the Import button.

All of the images (including JPG) were brought in and shown in a Recent Imports selection. I was not able to drag these directly into a test project I created, but could use a menu to create an album, smart album, project or group directly: learning curve problems here.

As with ID Imager Photo Supreme before, I then imported a second (and older) Aperture library to confirm that more than one could be handled. This was smaller (on disk) but contained just under 3900 images. This import also took only a few minutes. The catalog listing again showed all the projects inside the library and all were accessible.

Conclusions

The other end of a workflow is the export of images. In the File menu, an Open with item listed several of the applications I use for image editing. Another item, Edit with allowed me to select a file format (TIFF or JPG) and listed 13 application, plus other.

Export of images offered me Originals or Variants (Aperture uses the term, Versions). I was able to select from four JPG types. as well as TIFF, DNG (digital negative), PNG, and PSD.

While I have much to learn still, as far as I am concerned, the "elephant in the room" has floated away. Despite the higher cost of Capture One Pro 8 €229 ($260 or 8680 baht) as opposed to $149 for Adobe Lightroom, Capture One Pro 8 is now most likely to be my choice for an Aperture replacement.

See also

• Seeking Replacements for Aperture (Part 1) - Darktable, Nikon Capture NX-D and Corel AfterShot 2 Pro Examined

• Seeking Replacements for Aperture (Part 2) - Darktable, Nikon Capture NX-D and Corel AfterShot 2 Pro - Putting them Through their Paces

• Seeking Replacements for Aperture (Part 3) - Darktable, Nikon Capture NX-D and Corel AfterShot 2 Pro - A More Detailed Examination

• Seeking Replacements for Aperture (Part 4): Perfect Browse and Perfect Suite

• Seeking Replacements for Aperture (Part 4): ID Imager Photo Supreme - A Good Candidate

• Seeking Replacements for Aperture (Part 6): Overnight Suggestions and Comments

• Seeking Replacements for Aperture (Part 7): Phase One's Capture One Pro 8 - The Right Choice

Graham K. Rogers teaches at the Faculty of Engineering, Mahidol University in Thailand where he is also Assistant Dean. He wrote in the Bangkok Post, Database supplement on IT subjects. For the last seven years of Database he wrote a column on Apple and Macs. He is now continuing that in the Bangkok Post supplement, Life.